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Books: The Family Circus
Editorial Reviews
From
the Inside Flap:
The hilarious cartoon family everyone is talking about. The Family
Circus appears in 1300 newspapers and charms millions of avid fans
daily. --This text refers to an out of
print or unavailable edition
of this title.
Product Description:
Daily positive reminders of family love through Bil Keane's Family
Circus. --This text refers to the Paperback edition.
Customer Reviews Avg. Customer Review:
64 of 66 people found the
following review helpful:
3 Words!,
1-6-2005
Reviewer: Justin T. Steiner (Arlington, VA)
Three simple words
wrap up
the reason to buy this book: FULL. FRONTAL.
NUDITY.
You'll laugh out
loud as Billy
continues his efforts to sodomize Barfy.
PJ looks on with whimsical amusement as Dolly 'discovers'
herself.
Dolly may have pudgy little legs, but that doesn't stop the boy next
door from noticing her. He really likes her 'developing, ripening
buds'.
But Thelma is the main attraction. No MILF in the world can compare to
her. With her razor-blade haircut, she goes on a sex spree that Nina
Hartly, Samantha Strong, and Wendy WHoppers couldn't accomplish in a
combined movie career. Poor Daddy is bound and gagged and is forced to
watch as Thel attempts a threesome to the third power. She is the
hottest Mommy in town and only Blondie Bumstead has a better body, but
she's such a prude.
You'll also enjoy Daddy as he finally decides he's had enough and goes
to the red-light district in search of cheap floozies. He discovers
prices aren't what they used to be, but he falls for a transvestite who
calls himself Wilma. Little does he know that Wilma and Thel eventually
hook up-- leaving Daddy alone again with nothing to do but watch Dolly
and the neighbor boy.
All in
all, the "Family Circus" is good, clean, sexy fun.
79 of 89 people found the
following review helpful:
Family Circus, Family Delight,
8-8-2004
Reviewer: A. Birkemeier (Peach Springs AZ)
"Family Circus" is
the
wonderfully kooky story of the modern family. It
deals with the trials and tribulations of raising a Christian family in
this modern era. Comedy arises through mishaps such as
misunderstanding words, church principles, and of course cannibalism.
64 of 66 people found the
following review helpful:
Justice
Denied, 12-5-2004
Reviewer: Albert Lee Esse "Mohamed Stein" (Andissa, Greece)
Smoking some
marijuana
given to him by Uncle Roy, Jeffy, who is also an
alcoholic, manages to set fire to the house and burn it to the ground.
The insurance company refuses to pay because of Daddy's previous arson
convictions. When Thel meets the psychopathic Uncle Roy at the homeless
shelter, he uses his charm to convince her to abandon Daddy and join
him in a countrywide murderous spree. John Wayne Gacy, Jeffrey Dahmer,
and Jack the Ripper could have learned a lot from this pair of
degenerates. Having one's mother and uncle appear on "America's Most
Wanted", understandably, subjects the kids to unending merciless taunts
from their schoolmates. Thankfully, Daddy's large collection of
automatic weapons and handguns was destroyed in the fire. Another
Columbine is averted.
Grandma is
pleasant. But not when she has been drinking. Regrettably,
she is beaten until a vegetable when she belittles the family for their
homelessness. Daddy is incarcerated. Billy, Jeffy, and Dolly are sent
to juvenile-detention centres. PJ is adopted and grows up to become a
politician, which causes his foster parents to disown him. Because no
one is left to look after Barfy, he is abducted and dies in an animal
experiment. When PJ eventually discovers that his biological father is
imprisoned, he undergoes a sex change to become, with many injections
of female hormones, a voluptuous and beautiful woman. Her plan to
seduce the warden and gain her father's freedom goes awry when the
warden's sexual orientation turns out to be different from what PJ had
expected.
Bil
Keane: Existentialist, raconteur, party animal. Recently a
British
citizen, he remains an enigma to us and probably to himself. Keane
scholars have, for years now, been comparing him favourably to the
finest writers-- the psychological insights of Dostoyevsky, the
striking
metaphors of Shakespeare, the playful bawdiness of Chaucer. Yet in an
interview in the latest issue of National
Review,
Keane claims that
his greatest influences were Aeschylus and Beckett. It therefore came
as no surprise to anyone when "The Family Circus" was short-listed for
the Pulitzer. Bookmakers in Las Vegas and the United Kingdom had him
a clear favourite.
So there is
widespread general agreement that the only reason he lost
was his criminal record and his dalliance with the Maoist Shining Path
insurgents. Writers around the world were outraged. Mailer called it a
disgrace. Vidal laughed and said, "What did you expect?" Even Salinger
briefly came out of self-imposed exile and blasted them. Keane
certainly did not help himself when he, in a drunken rage, took off all
his clothes and tried to enter the Democratic National Convention--an
event that made headlines everywhere. After reading this book, you too
will know why Keane has been described as the twenty-first century's
Marquis de Sade.
57 of 57
people found the following review helpful:
"The
Family Circus" is Art at its
best, 12-30-2004
Reviewer: Liminst Yonk (Mississippi, USA)
The ostensible
subject of
"The Family Circus" is the
dissolution of a family, one of those august old Mississippi families
that
fell on hard times and wild eccentricity after the Civil War. But in
fact what Bill Keane is really after in his legendary novel is the
kaleidoscope of consciousness-- the overwrought mind caught in the act
of thought. His rich, dark, scandal-ridden story of squandered fortune,
incest (in thought if not in deed), madness, congenital brain damage,
theft, illegitimacy, and stoic endurance is told in the interior voices
of three brothers: first Billy, the "idiot" man-child who blurs
together three decades of inchoate sensations as he stalks the fringes
of the family's former pasture; next Jeffy, torturing himself
brilliantly, obsessively over Dolly's lost virginity and his own
failure to recover the family's honor as he wanders around the seedy
fringes of Boston; and finally P.J., heartless, shrewd, sneaking,
nursing a perpetual sense of injury and outrage against his outrageous
family. Everything is here: the complex equilibrium of pre-civil rights
race relations; the conflict between Yankee capitalism and Southern
agrarian values; a meditation on time, consciousness, and Western
philosophy. And all of it is rendered in prose so gorgeous it can take
your breath away. What Keane has created is a modernist epic in which
characters assume the stature of gods, and the primal family events
resonate like myths.